January 13, 2023

Kate Mothes

“Where We All Meet” (2022), paper sculpture, 1 x 1 x 1 meter. All images © Layla May Arthur, shared with permission

Wielding the fundamentals of set design, Layla May Arthur assembles elaborate architectural spaces and visual narratives from paper. The Netherlands-based artist focuses on the interplay between light and shadow in intricate, three-dimensional dioramas that emphasize storytelling in window displays, brand identities, and gallery presentations. In pieces ranging from delicate, individual sculptures of staircases to large-scale, immersive installations, she instills a sense that the viewer is a part of the interactions of figures within each scene.

Since graduating from university in 2021, Arthur has focused on projects that emulate the visual drama of theatrical presentations, setting the stage for products in boutique windows and brand collaborations in addition to museum exhibitions. “

Arthur emphasizes each incision, angle, and pattern of the meticulously cut pieces of white paper by spotlighting or illuminating from within. “

“THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021), paper and light Installation

“Where We All Meet” (2022)

Details of “Where We All Meet” (2022)

“Shop Window Set Design for Mary Jane Schoenenboetiek” (2021), paper sculpture

Details of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

Detail of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

Detail of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

Detail of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

“Forgotten Places – Remembered“ (2022), paper sculptures, 20 x 20 centimeters

Detail of “Shop Window Set Design for Mary Jane Schoenenboetiek” (2021), paper sculpture

“Jersey; My Childhood Home” (2019), paper cutting, circumference 754 centimeters x 200 centimeters

Panels from “Jersey; My Childhood Home”

Installation view of “Jersey; My Childhood Home”

#architecture#Layla May Arthur#light#narrative#paper#sculpture#set design

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