Balance, symmetry, and the geometries of proportion create a distinct visual lexicon for Louise Despont. Working in graphite and colored pencil on antique ledger paper, the French American artist practices an alchemy of pattern and color, fusing the two into intricate, contemplative renderings that evoke natural elements. “I think my work has always attempted to bridge the worlds of plant wisdom and healing with a language of architecture,” Despont tells Colossal. “I’m interested in drawing the invisible, in attempting to represent the unseen but nonetheless powerful forces and systems that surround and inhabit us. I’m interested in art-making as a co-creative experience, a bit like gardening. I plant the seeds and tend to the work, but what grows comes from its own source.”
Inspired by the homeopathy and alternative medicine practiced by the artist’s mother, Despont’s works often hearken back to botanical forms as she renders petals and writhing stems in pastel hues. Her sculptural drawings utilize bamboo and string to perfectly mirror the sweeping lines and circular shapes on each side of a three-dimensional form, and this desire for engineered precision is a nod to her grandfather, father, and partner who all have backgrounds in architecture. Whether on paper or dyed fabric, her works illuminate nature’s organic harmonies and are tinged with a reverence for its more mystical properties, focusing on the energies and expressions of the world around us.
Before moving to her current home in Mallorca, Despont was featured in three Art21 films in New York and Bali that offer insight into her earlier practice. The artist’s drawings will be on view at Art Basel in Miami this December with Nicelle Beauchene Gallery, and she is currently working on a book slated for release next year. For glimpses into her studio and process, head to Instagram.
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