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#cities#Keita Morimoto#light#painting#surveillance

City Lights Cast an Aura of Anonymous Mystique Over Keita Morimoto’s Streetscapes

November 17, 2022

Grace Ebert

A painting of a light illuminating a city street with a few people

All images © Keita Morimoto, shared with permission

In Keita Morimoto’s paintings, soft yellow streetlights, LED shop signs, and clinical beams of a public transit stop expose the discomfiting nature of perpetual surveillance. Working in acrylic and oil, the Japanese artist explores the scenes of daily commutes, walks with friends, and trips to a vending machine. He shrouds his streets with shadows that add a mysterious aura to the works, a feeling bolstered by the anonymity of the places and people.

Morimoto refrains from incorporating distinct symbols, markings, or features that would identify and situate the locations within a specific cultural and geographical context and prefers, instead, to consider how many of the ails of modern life are ubiquitous. “In today’s society, many people suffer from the difficulty of living,” he says. While issues of surveillance, consumerism, and a desire for fast-paced production often dominate today’s world, the artist focuses on the pockets of calm, beauty, and magic to be found around every street corner.

Currently, Morimoto has works on view at Powerlong Museum in Shanghai and will be included in upcoming shows with Kotaro Nukaga in Tokyo and The Hole in New York. Find more of his enigmatic pieces on his site and Instagram. (via This Isn’t Happiness)

A painting of a vending machine illuminating a city street with a few people

A painting of a train station illuminating a stop with a few people

A painting of a vending machine illuminating a city street with a few people

A painting of an illuminated city street with a few people

A painting of a vending machine and store illuminating a city street

#cities#Keita Morimoto#light#painting#surveillance

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